HISTORY OF THE END OF THE WORLD

SAVING THE WORLD HERITAGE

Culture, art and historical artefacts are in danger. Not only by theft, but also by destruction. Musea are plundered, like in Iraq AND extremists destroy the content of archeological finds. A couple of thousand years old and carefully preserved, they are returned to dust.

More is to come. civil uprisings, local warfare, collapsing infrastructure and the “melting” of the internet and communication.

I work for a civil organisation, that wants to save codexes, paintings, jewellery, sculpture or any other artefact, that reflects our history.

And prevent them from their obscure fate in the centuries to come.

We build musea underground and supply them with a flow of “objects”, worth preserving for the future.

Everything is focussed on our heritage.

Sometimes we buy, sometimes we save precious objects by stealing them. But mostly we replace them and place a “copy” in the originals place. The material and substance/composition/objectcan not be destinguished from the “real thing”. At least not by current science.

Copies of art f.i. are not made by hand, but by the colossal mainframe, connected to a 4-d-computers, which not only produces a painting, but also gives it the necessary patina, to let it fit in the correct time-period.

I first thougt the machine was alien, but later I realised that they date from a future, many thousands of years ago.